Thursday, April 11th at 9pm

Chastity is a world of its own from the mind of Brandon Williams. Reflecting the working class background of Whitby, Ontario, Chastity’s songs are charged with the ethos of archetypal youth on the fringe. A project more aptly characterized by its intentions than specific sound or medium, Chastity stands to confront the struggles of those existing in the unseen, often silenced periphery. It is an artifact of youth culture constantly working to form community, bridging isolation with collectivity.

It was clear from the release of Chastity’s first demos that this was not “another punk band that can operate at only one speed.” Always concerned with the trending lack of accessibility and inclusivity in public spaces for the arts, the first Chastity show was held in Williams’ own bedroom where, packed wall-to-wall, the police were quickly called. But after the project’s second show supporting DC punk bandPriests, Chastity was off to the races, sharing stages with the likes of with METZ, Chelsea Wolfe andFucked Up. All without a full length recording out.

Visuals have also played a meaningful role in this world with Williams, who has described the band as “a multimedia project that happens to make songs,” using his penchant for crafting consistently sharp, challenging imagery to personalize the narratives running throughout all of Chastity’s work – most discernibly, a call for disruption.

WATCH: The video for Chastity’s “Children” on NPR // YouTube

Since signing with Brooklyn label Captured Tracks, Chastity has re-released those initial demos, along with 2 new singles and an EP, stoking the anticipation of Chastity’s debut full length record, Death Lust.

Releasing Friday the 13th of July, 2018 on Captured Tracks and Royal Mountain, Death Lust follows the plot of suffering to survival. The album begins on a tortured note with ‘Come’ and builds toward the plummeting finale of ‘Chains’, evolving from start to finish in a crescendo of severity. Chastity explains, “Death Lust is about growing up death obsessed. It’s about the pain that it takes but the capacity that we have to overcome.”